Tim Lebbon – horror and dark fantasy author

Firstly, if you’re not a member, why not?

Secondly … go here to check out a huge number of writers now taking part in the new message board.  Lots of great writers and great friends on there, and you’ll spend hours looking around and leaving messages.

You’ll soon be able to read FACE, my first title translated into Spanish.  Yay!  check it out here.

The Thief of Broken Toys has been reviewed in PW, who said in part:

Lebbon (Bar None) superbly captures the thoughts and feelings of a man whose misery so unhinges him that an encounter with the uncanny is unavoidable

The book will be launched at the World Horror Convention in Brighton in two weeks, at a special CZP Publications party on the Thursday evening.  More details about WHC and what I’m doing there soon.

This is your last chance to order the limited edition hardback version of my new novella The Thief of Broken Toys.  You can go here for ordering details.

And hopefully to whet your appetite, here is a very short extract:

We rise from the sad house with the crying man and submit to the breeze, now carrying the growing chill of dusk.  The sun is setting behind the opposite valley ridge, silhouetting the sparse trees growing up there in defiance of the storms that sweep this coast.  They throw long shadow out across the valley, and if the confusion of buildings and water was not so extreme, they might even be visible down there.  But street lights are flickering on to kill the shadows, and windows throughout the village are illuminated from within.

Up to the ridge and along from the village, and a fox gambols on the slope of bracken and ferns leading to the sheer cliffs.  Several shapes play around it, but they’re too quick and shy to manifest properly.  The wild welcomes the dusk, as it has since the advent of humanity.  People have taken the day for themselves, putting limits on it, sectioning it, adjusting it for their own means and ends.  But night time, an absence, still belongs to the land.

Yet there are those who walk the night.  People who tread carefully, but relish the freedom inherent on the dark winds.  Their minds are often closer to the nature of things, or the Nature in things, and they understand more than most that the wild is a cycle like everything else.  There are the aeons, and the ages, the years and the seasons, but there is also day and night, and there lies the truest of Nature’s distinctions.

The cliff path is deserted tonight, swept of fallen leaves by the sea breeze.  The hawthorn trees on either side are mostly leafless now, and the ferns are fading to brown, readying to die back and give way to new growth in several month’s time.  Some life hibernates over seasons, and some hides for much shorter periods.

Below, down through the thick ferns and gorse, clinging to the edge of the cliff like a huge barnacle, we see the old stone structure.  Forever, it has been a forgotten remnant of the village’s past.  Perhaps a lookout post for fishermen, or a refuge of some sort.  Maybe it is even a folly, built by a rich villager of yesteryear to a love that might or might not have been his.  There is little vandalism here, none of the casual paint sprayed exhortations of youths, or the intentional removal of blocks to tumble over the cliff, whose sheer edge is only a few short steps away.  It could be that kids don’t know about it, or maybe there are other reasons.  Perhaps animals use it for a shelter sometimes, but today…

There’s a spread of things outside the small building’s seaward opening, and from inside … is that a light?  Faint, a feeble glow like the echo of the sun’s setting beams, to most it would not even be visible.

And here we are: sitting in the doorway is a man, where perhaps he wasn’t before.

He’s an old man.  He’s smoking a pipe, and its intermittent glow gives him a lighthouse face.  Something sways in his hand as he works his fingers.  He stretches, and feels the bones in his shoulder grate together.  The first sign of age, many other aches and pain have developed since them, but they are still the worst.  At least his fingers can still flex, and his hands still grip, and at least his sight is still sharp.

The shape in his hand is an old beanie doll, and tonight he will give it a new leg.

I’m about halfway through COLDBROOK, and as usual, I’m having a great time destroying the world.  I don’t want to give any spoliers, but this will be the longest, most complex novel I’ve written to date … and it has zombies.

There’ll be a nice COLDBROOK-related surprise for World Horror attendees, more of that soon.

And as for the Variety-related surprise I mentioned a week or two ago … it’s coming.

My copy of THE NEW DEAD arrived today and it looks stunning.  One of the most hard-hitting covers I’ve seen in a long while.  Showed it to my daughter just before bed tonight … am expecting nightmares.

You really need this one – check it out.

If you’d like to pre-order a limited edition hardback copy of my forthcoming novella THE THIEF OF BROKEN TOYS … hurry up!

Pre-order window is rapidly closing, you won’t be charged up front, and you’ll get a gorgeous hardback, which also contains a bonus short story Ollie’s Oswald which won’t appear anywhere else.

You can pre-order from Horrormall or Camelot Books

It’s been a good couple of days.  Yesterday, the postie rang the bell and threw me a parcel before Blu chased him down the road and chewed off his leg.  In that parcel were two copies of The Mammoth Book of the Best of Best New Horror, the huge retrospective anthology collecting one story from each volume of Best New Horror published over the last twenty years.

My novella WHITE is in, frankly, stellar company.  Clive Barker, Harlan Ellison, Neil Gaiman, Stephen King, Peter Straub, Ramsey Campbell … the list goes on.  WHITE was the first story of mine that editor Stephen Jones ever bought, and I am so proud to see it included in this volume.  It’s something of a milestone for me, as was WHITE’s first publication ten years ago.

Go and buy it.

Well this is a bit wacky!  Here’s a podcast review of my novelisation of 30 DAYS OF NIGHT.  I really like the idea of podcast reviewing , and although the guys chatting seem sorta hazy about how the book came about  – graphic novel, to movie, to novel – it’s good to hear that the reader’s favourite scene is the polar bear scene … which is the one major scene in the book that is my own creation, and not translated from the screenplay.

That polar bear is also indirectly responsible for the Jack London books I’m writing with the most excellent and unfeasibly sexy Christopher Golden.  But more on that another time.

Swearing – it’s not big, but it is clever.  This film looks wonderful.  And when you’ve watched this, check out the other clips & trailers online.